The 'Invisible Man' writer-director talks about tackling another Universal horror icon for a horror movie reflecting the anxieties of COVID.

“Wolf Man” then jumps ahead 30 years, to adult Blake (Christopher Abbott) out in a busy San Francisco enjoying daddy-daughter time with young Ginger (Matilda Firth). Like his father, he is very protective of his child, scolding her for not getting down from a construction structure she walks atop the moment he tells her to do so.

Leigh Whannell’s horror film Wolf Man hopes to join Den of Thieves 2: Pantera at the top of the weekend’s box office when it opens on January 17th, but judging by the mixed reviews from critics, it’s unclear how likely that’ll be.

The writer and director of “The Invisible Man,” 21st-century style, is back with an interpretation of another Universal Pictures monster movie, “Wolf Man.”

Australian creator of the Saw horror series talks about rebooting a werewolf classic and why he never thought Hollywood was his destiny

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While other people were making sourdough and learning how to play the bongo drums during the Covid lockdowns, Aussie Leigh Whannell and his American wife Corbett Tuck made the most of the nightmarish scenario by turning it into a horror movie.

The filmmaker reveals the movies he screened for the Universal Monsters rebooters, discusses the importance of practical effects, and whether Bigfoot could be a Wolfman.

With Wolf Man, Leigh Whannell's latest horror film and follow-up to another classic Universal Monster reimagining -- the acclaimed The Invisible Man -- the writer/director he saw an opportunity to do exactly that with his own take on the legendary creature. What happened next was so gruesome that even the film's crew was stunned.