Jonas Kaufmann will no longer sing at London’s Royal Opera House — because, of all things, the pay is too low. “I don’t know how you do it,” the tenor recently told BBC Radio 3. In the same interview, ...

The Washington National Opera announced Friday that it will move performances away from the Kennedy Center in another high-profile departure following President Trump's takeover of the U.S. capital's ...

The Washington National Opera announced Friday that it plans to leave the John F. Kennedy Center for the Performing Arts, its longtime home, a stunning move that follows reports of declining ticket ...

Performances in N.Y.C. Advertisement Supported by Yuval Sharon will leave the financially strained Detroit Opera after this season. In March, he brings his unorthodox vision to Wagner at the ...

Turnage’s operatic work may have been uneven over the years, but his radical adaptation with Lee Hall of Thomas Vinterberg’s first Dogma 95 film, integrating a magnificent role for the Royal Opera ...

Performances in N.Y.C. The Metropolitan Opera has invited 70 influencers to help convince a younger, online audience that opera isn’t scary or even unaffordable. The Metropolitan Opera has invited 70 ...

Prior to the release of Box for Buddy, Box for Star, the reeling discography of This Is Lorelei—multiple bodies of work released per year for the past decade, spanning nearly 11 hours in total—felt ...

This Is Lorelei has released his new album, Holo Boy, via Double Double Whammy. Instead of making Holo Boy into a best-of record, Nate Amos — who’s also in Water From Your Eyes — chose to rerecord 10 ...

This year must have been one hell of a ride for Nate Amos. He kicked off 2025 touring his official solo debut, 2024’s acclaimed Box for Buddy, Box for Star. Barely three months later, he and Water ...

Following a period of limited waitlist access, Opera Neon, the company’s subscription-based AI-powered browser, is now generally available. Here’s what it can do. A few months ago, Opera released Neon ...

The defining music platforms of the streaming era are owned by large tech companies—Spotify, Apple, Amazon—while smaller entities like Qobuz, Tidal and Deezer cater to niches based on audio quality ...