You think you know an artist. Georgia O’Keeffe, the mother of American modernism, painted skulls and flowers, often in disarmingly sensuous close-up, as well as the monumental desert landscape ...

For most, the name Georgia O’Keeffe inspires images of blooming flowers bursting with color. In cultural lore, the icon of feminist painting is a celebrated pioneer of color, a griot of the Southwest ...

Welcome to One Fine Show, where Observer highlights a recently opened exhibition at a museum outside of New York City—a place we know and love that already receives plenty of attention. The other day ...

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Georgia O’Keeffe (1887-1986) is most often associated with the American Southwest—especially New Mexico, which she first visited in 1917. After settling the estate of her late husband, the gallerist ...

The widespread understanding of Georgia O’Keeffe’s oeuvre is incomplete. The great modernist abstractionist is, rightfully so, galvanized as a painter of abstract floral compositions. Closely cropped ...

Toward the close of a gloomy afternoon in November, 1915, a girl named Anita Pollitzer walked into the little picture gallery at 291 Fifth Avenue where for several years Alfred Stieglitz had been ...

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As a young potter, he turned up on the doorstep of an octogenarian master of modern painting. They grew so close it became a scandal. By Alex Traub A new American wing draws on feminist and racially ...

New Mexico just announced an ambitious Ghost Ranch conservation effort to preserve the stunning desert vistas that inspired ...