In a critical dialogue, Guardian US’s classical music and art critics review William Kentridge’s triumphantly radical production of Berg’s modernist masterpiece Seth Colter Walls: Hello, Jason! We ...
William Kentridge’s new production of Alban Berg’s atonal opera “Lulu” is sordid, seductive, sadistic, scandalous and, as one of the characters quips in German, full of schmutz. It might be the best ...
Blood flows like ink in the Metropolitan Opera’s spellbinding new production of Alban Berg’s Lulu. That’s only as it should be, because the 1937 tragedy is the operatic version of a slasher film, ...
Who or what is Lulu, the eponymous character in Alban Berg's landmark atonal opera? Is she saint or sinner? Femme fatale or victim? Put-upon or mistress of her own fate? Whatever else she might be, ...
Alban Berg’s “Lulu” is an opera by a gifted Austrian composer steeped in the feverish psychosexual atmosphere of Sigmund Freud’s Vienna. Berg based his second and final stage work on two plays by the ...
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